FFA: Kelly Herring
Words Hannah Serrano
Sunday, August 27th, 2000 at 1:01 pm
Ode to Joy
Do you draw/paint from life? If so, how important is that to your work? If not, describe your process.
I use different sources every time I create.
I draw from life which is very important. A lot of people are nervous to model for me, but I have such a different outlook on the human body than most people do. Everyone is beautiful to me and the more you draw a person the more you can see the little details that make them special. However, a lot of people over-sexualize my work. Drawing from life isn’t a particularly erotic activity; it’s not like flipping through a Playboy, it’s more like math homework. It’s important to stay in the practice, but that’s what it is: practice. It’s an exercise in measurements, light and dark, perspective, and patience.
However, my paintings are mostly from photographs. Working from photographs is tricky, and I would not recommend it for beginners. If you don’t know what you are doing you can get some very weird, flat results. The quality of the photograph is very important. I only work from my own photos, and even that can be a pain in the neck. There are a lot of advantages to working with photographs, but there are just as many problems. If you know what you are doing, I really recommend combining painting and photography. It allows you to manipulate images in ways you otherwise couldn’t.

ABOUT THE WRITER
"Even though Serranos can be a good deal hotter than the average, their flesh is much thinner so you get a friendly fire rather than a mouthful of afterburn." — Alton Brown
Other posts by Hannah Serrano.
Other posts by Hannah Serrano.









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