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Wednesday, February 24, 2010

A Critic Slips Out the Fire Exit

Today my 10-year career in published film criticism died nearly without notice.

After more than 500 movie reviews and essays, there was no ceremony, no toasts offered, and only a few kind words from a few of the various media personnel with whom I’ve worked for a decade.

Now before we throw me a pity party, would-be writers should know this is normal. I got what I expected. Writers work alone, and after 27 years of professional typing, I’ve learned that we both celebrate our victories and mourn our losses alone.

Many writers have already learned that writing can be one of the loneliest, most difficult, under-appreciated and underpaid jobs they will ever undertake. This is especially true in the world of creative writing, where rejection is the norm and a thick skin is very helpful.

But when writers love the craft for its own sake, they’ll do it for the rest of their lives whether they’re ever published or paid, or not. (If you’re in it for money, fame, or just to support a household, you could be in for some major disappointments.)

The best writers are their own harshest critics, and it must go the other way too. So when you’ve done well, be prepared (as I am tonight) to toast yourself and tell yourself good job!  Because tomorrow morning, it will be just the blank page and you, alone again, as it should be.

Though it can’t financially support me, I’ve loved supporting independent and foreign cinema and I’ve loved being a local film critic in Hampton Roads (not the fucking “Seven Cities”, but Hampton Roads). And I’ve loved writing about the movies, even the terrible ones that made me want to run out the fire exit after 20 minutes.

But as your cinematic “consumer reports” advocate, I always felt obligated to show up on time for every screening, and not leave until the credits roll. You deserve that, and so do the filmmakers, because even the worst of them never set out to make a bad movie, no matter what the final result.

Making a movie can be a years-long multi-artist endeavor that always involves compromise of some sort, and has way more opportunities for failure than success. With rare exceptions, I’ve always respected the filmmakers’ efforts and been aware that movie critics, like movie fans, rely upon these artists’ acts of creation.

On the craft of writing, please don’t mistake my tone for bitterness. Writing is like the curse of the werewolf. Once truly bitten, we’re compelled to do our thing, mostly at night, until we die. There’s no silver bullet for this. We can either cry about it, or revel in our fate. I choose to revel.

For my part, I’ll be reviewing one last film (appropriately) titled The Last Station (to be published in this space tomorrow), and then I’ll be writing nearly exclusively in the most creatively entertaining format possible for telling the truth about life, the universe and everything. It’s called fiction.

I might not make a dime (he said, smiling).

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  • tench phillips | February 24, 10 @ 4:45 pm

    Your love of moviemaking and writing has always been exemplified in your reviews. Regardless of whether you gave a good or bad review, your criticism has been insightful, passionate, politically astute, and humane – and always fair.
    Our movie market will sorely miss the balance you’ve contributed as the second local professional movie critic. A toast from your many fans in the Naro Cinema family!

  • Kristen Kirk | February 25, 10 @ 12:10 pm

    Greg, I cannot believe it’s been 10 years. You’ve added so much to this community and I bet you’ll do the same on a bigger level with your fiction. Best wishes!

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ABOUT THE WRITER
Gregory Epps is a would-be fiction writer, and a 10-year veteran of weekly film criticism with a 17-year history of local writing. His continuing mission is to grow so talented that his words have the power to seduce women and make grown men weep, expose hypocrites, sow political dissent, make clerics question their faith, frighten evil men and embolden the righteous.
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